The sequence in the graveyard
at the beginning of this movie laid the groundwork for the sense of unease that
lingered in me for the rest of the film and beyond. The sounds of the dead being deterred from
their final rest churns the undigested goblets of food in my stomach. The screeching of the coffin doors getting
pried open, the rusty hinges threatening to give way and break, the shovel
frantically digging at the ground for the decaying prize underneath, it really
takes me back to the first time I saw TCM.
It changed my life.
The first time I saw it I
couldn’t sleep that same night. I tossed
and turned but couldn’t tune out the disturbing images TCM impregnated my
fragile mind with. I watched it by myself,
filled with dread; this was beyond jump scares and cheap gimmicks, and I
couldn’t shake it. I felt anxious. I felt like maybe TCM burst my little safety
bubble. No film has ever rooted itself
more deeply in the pit of my stomach.
And years after feeling the full force of it, and coming back to watch
TCM hundreds of times since, like a junkie coming back for a fix time and time
again, I can confidently say that no movie will ever have that very same effect
on me again. Where my enjoyment of the
macabre was a flirty relationship before, after TCM it was a fully blown
romance. So now you know what to blame!
0 comments:
Post a Comment