Somewhere in a quaint New
England village in Massachusetts
a timeless horror plays out over the centuries, defying the physics of space
and logic itself. Dr. Freudstein has
discovered the secret to life through the perpetual regeneration of dead cells
by consuming the flesh of the living.
This discovery has given him an unending lease on life, however it has
also left him an inhuman butcher; a shuffling flesh fiend on a blood thirsty
rampage. His mind is but a distant
memory, an echo of a past life lost in the murky waters of time. His only desire is to strip the living of
their warm flesh so that his unholy presence may dwell here longer. So that he festers in this realm never having
to face the next Hell that awaits him.
His house and old laboratory
are is his tomb, and his victims haunt him throughout time. Somehow his abominable presence keeps his
victim’s spirits tethered to this domain in an endless dream. In a rare moment of clarity Dr. Freudstein
wonders if the process of transmogrifying others flesh into his own timeless
husk somehow traps them in this world, where their essence cannot escape into
the great beyond past death’s door until the flesh ceases to be. They ceaselessly gnaw at his mind, whispering
to the fragmented parcels of his memory, nudging his spirit further into the
chaotic madness of the damned. Through a
century of careful practice and deep, sleepless meditation the doctor has been
able to partially tune out the cries of the damned. The worse was the children; how their cries
and whelps of torment carried on throughout the night, affording no rest for
the weary, and the doctor was very weary. If his own voice box still functioned he’d be
tempted to join the cacophony of murmuring spirits in their nocturnal song, but
yellow pallid flesh has grown over his own maw, an unfortunate mutation and
side effect of his unique condition. At
best he can produce a deep gurgling noise in his throat like a malfunctioning
scuba respirator. His breathing is like
rustling dead leaves, and he wonders if he still has to breathe at all, or if
it is merely a useless habit picked up from when he was alive.
His eyes have desiccated into
red raisins long ago, his ears have shriveled and rotted off his head like spoiled
fruit, but in the eternal pitch black he has developed other senses. Despite the lack of his ears he can hear the
blood beat through the veins of the living like torrents of water rushing down
white rapids. The capillaries are like
gentle streams of delicious sweet hemoglobin and the heart sounds like an out
of tune bass drum. He is jealous and wants
to pry these things free from their fleshly confines. The living do not deserve the life they so
seldom appreciate. His own heart crawls
with insects and a multitude of nesting maggots as it remains silent and still. His internal organs have sequestered into a
jelly like slime, yet he persists. His
walk is a slow gait, a pathetic shuffle.
His muscles are riddled with atrophy, but through sheer will he is able
to find locomotion. In the cob webbed
sea of his basement and laboratory, where the air sits thick and still for
decades on end, the slow drift of his walk seems like a fury of activity. He finds another moss covered corner to the
dungeon and falls back to rest.
Since walking comes at a great
expense of energy Dr. Freudstein saves his strength up to when he absolutely
needs it; when new intruders, fresh meat, enter the house by the cemetery. Sometimes he feeds on the rats and other vermin. Otherwise the doctor remains rested in a
dreamless suspended animation, where the mind churns but the thoughts retain no
form, and the years are lost to the dead stillness of the tomb. Sometimes while at rest he picks up ghostly
images in his mind’s eye, like old photographs, of the house before it was
choked with cobwebs and caked in dust.
He can see it with fresh paint and smell the rich mahogany, as if the
lumber was just cut. Sometimes he sees a
little girl as if in a hazy dream, a red head with soft snow white skin playing
with her doll, and he feels a deep pity, but cannot remember why or for what
reason. He knows his flesh was once
tied to the girl, but that flesh is a forgotten memory, and the tie, like his
tie to humanity, has long been severed.
Now he exists in a gray twilight world between life and death; a
purgatory seldom few have experienced in this realm. He is a living mummy reaping corpses for his
blasphemous desire to continue to be long after his body expires, and the
horror he has wrought has trapped his victims, like flies in the web, to this
time and place with him.
He has defied the laws of the
natural world by prying back the doors to immortality; and much more. Achieving immortality, even the pale form of
immortality Dr. Freudstein has achieved, has loosened the very laws of physics,
strained them to the point that the very ebb and flow of time itself has
warped. The house by the cemetery has
become a kind of nexus of time and space, where Dr. Freudstein can view past
and future events in fragments as if they were all occurring in the present.
Although he no longer has the mental capacity to interpret said images, as his
sanity has long left him in the endless fathoms of swelling darkness below the
old decrepit mansion, the living can view these images in dreams and under deep
meditation. Some children are also able
to tap into these visions, as children are more connected to the spiritual
world, a connection that loses it’s potency as they grow into adulthood.
Dr. Freudstein has been
restless as of late. His need for blood
and new fresh cells has grown to a ravenous hunger that nags at the fiber of
his being with a constant cadence. The
ghosts around him stir with anticipation.
Soon the house by the cemetery will have new residents, maybe even a
young virile child to sponge some extra years of life from. Their flesh always tasted the sweetest, as if
he cashed in on the unspent years of their life and added them to his
account. They always provided the most
nourishment. Soon his hunger would be
sated…soon more would be caught in the unending wheel of horror that is THE HOUSE BY THE CEMETERY!
0 comments:
Post a Comment