Giallo straight from a gutter
in Italy, “The Cat With Jade Eyes” is a movie crafted in the stereotypical
murder mystery fashion; a gloved killer strikes, an amateur investigation
ensures, a dark and terrible secret is revealed at the end. It is Argento-lite for the gore elite; while
the story beats remain roughly the same from one giallo to the next it is the
style and atmosphere that typically set them apart; not to mention the
craftiness and complexity behind the murder set pieces. Argento crafts murder sequences that are
often unique and visually stunning in their own right, often tying in with the
thematic elements of the rest of the film.
“The Cat With Jade Eyes” offers strangulations by shower heads and a
women who gets burned and drowned in her own beef stroganoff for the showpiece
kill of the movie. Other victims get the
traditional throat slit or a pharmacist hammer to the back of the head;
whenever the killer strikes the death blow we are treated to a quick image of
animal eyes outlined with a furry face, perhaps offering the only explanation
for the title. If there is any common
theme to the murders it is that they all have seemingly nothing in common, they
all seem to be functioning under a different modus operati.
“The Cat With Jade Eyes” fails
as anything but a nonsensical soap opera giallo with some sexist leanings and a
heady handed use of coincidences and common acquaintances to push the plot
along. The story begins with the murder
of a pharmacist. A dancer that stopped
at the pharmacy after the murder and heard the killer’s synthesized voice may
offer the only solid clue to the murderer’s identity. She finds herself being stalked by a shadowy
figure and turns to her on again, off again boy fiend to help. His name is Lukas, he likes expensive cigars
(they make many references to his fondness of stogies throughout the film) and
is a sound engineer/musician hipster or something. It’s not really clear what he really does,
only that he has a swagger and gets casually wrapped up in a murder
investigation, cause why not? He ends up
figuring out the victim’s all had something to do with a murder trial held a
few years back, gets tripped up on a few glaring red herrings, but ends up
finding out incredibly that it somehow had all to do with Nazis and the war,
although it all seems very pigeon holed into the story. Where other movies might have something to
say about the conflict this one seems fine with letting any commentary lie in
the hearts of the viewers, and as soon as the revelations come to light
everything is wrapped up without any reaction from the protagonist or main
characters.
Although I loved the aesthetic
70’s era quality of the film I find it somewhat of a chore to sit through. Several times during the long, seemingly
drawn out investigation held by Lukas I felt my head bob to my chest,
threatening me with a sitting nap. It
didn’t seem like the story was very well thought out, it followed a lot of dead
ends and when there is some breakthrough it was through happen stance or
coincidence, only rarely through any logical connection or by examining clues. The murder scenes only seemed to have a few
high octane moments to raise the pulse.
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